Norwegian Wood
3
Naoko called me the following Saturday, and that Sunday we had a
date. I suppose I can call it a date. I can't think of a better word
for it.
As before, we walked the streets. We stopped somewhere
for coffee, walked some more, had dinner in the evening, and
said goodbye. Again, she talked only in snatches, but this didn't
seem
to bother her, and I made no special effort to keep the conversation
going. We talked about whatever came to mind - our daily routines,
our colleges; each a little fragment that led nowhere. We said
nothing
at all about the past. And mainly, we walked - and walked, and
walked. Fortunately, Tokyo is such a big city we could never have
covered it all.
We kept on walking like this almost every weekend. She would lead,
and I would follow close behind. Naoko had a variety of hairslides
and always wore them with her right ear exposed. I remember her
most clearly this way, from the back. She would toy with her
hairslide
whenever she felt embarrassed by something. And she was always
dabbing at her mouth with a handkerchief. She did this whenever she
had something to say. The more I observed these habits of hers, the
more I came to like her.
Naoko went to a girls' college on the rural western edge of Tokyo, a
nice little place famous for its teaching of English.
Nearby was a narrow irrigation canal with clean, clear water, and
Naoko and I would often walk along its banks. Sometimes she would
invite me up to her flat and cook for me. It never seemed to concern
her that the two of us were in such close quarters together. The
room
was small and neat and so lacking in frills that only the stockings
drying in the corner by the window gave any hint that a girl lived
there. She led a spare, simple life with hardly any friends. No one
who
had known her at school could have imagined her like this. Back
then,
she had dressed with real flair and surrounded herself with a
million
friends. When I saw her room, I realized that, like me, she had
wanted
to go away to college and begin a new life far from anyone she knew.
"Know why I chose this place?" she said with a smile. "Because
nobody from home was coming here. We were all supposed to go
somewhere more chic. You know what I mean?"
My relationship with Naoko was not without its progress, though.
Little by little, she grew more accustomed to me, and I to her. When
the summer holidays ended and a new term started, Naoko began
walking next to me as if it were the most natural thing in the world
to
do. She saw me as a friend now, I concluded, and walking side by
side
with such a beautiful girl was by no means painful for me. We kept
walking all over Tokyo in the same meandering way, climbing hills,
crossing rivers and railway lines, just walking and walking with no
destination in mind. We forged straight ahead, as if our walking
were
a religious ritual meant to heal our wounded spirits. If it rained,
we
used umbrellas, but in any case we walked.
Then came autumn, and the dormitory grounds were buried in zelkova
leaves. The fragrance of a new season arrived when I put on my first
pullover. Having worn out one pair of shoes, I bought some new suede
ones.
I can't seem to recall what we talked about then. Nothing special, I
expect. We continued to avoid any mention of the past and rarely
spoke about Kizuki. We could face each other over coffee cups in
total silence.
Naoko liked to hear me tell stories about Storm Trooper. Once he had
a date with a fellow student (a girl in geography, of course) but
came
back in the early evening looking glum. "Tell me, W W-Watanabe,
what do you talk about with g-g-girls?" I don't remember how I
answered him, but he had picked the wrong person to ask. In July,
somebody in the dorm had taken down Storm Trooper's Amsterdam
canal scene and put up a photo of the Golden Gate Bridge instead. He
told me he wanted to know if Storm Trooper could masturbate to the
Golden Gate Bridge. "He loved it," I reported later, which prompted
someone else to put up a picture of an iceberg. Each time the photo
changed in his absence, Storm Trooper became upset.
"Who-who-who the hell is doing this?" he asked.
"I wonder," I said. "But what's the difference? They're all nice
pictures. You should be grateful."
"Yeah, I s'pose so, but it's weird."
My stories of Storm Trooper always made Naoko laugh. Not many
things succeeded in doing that, so I talked about him often, though
I
was not exactly proud of myself for using him this way. He just
happened to be the youngest son in a not-too-wealthy family who had
grown up a little too serious for his own good. Making maps was the
one small dream of his one small life. Who had the right to make fun
of him for that?
By then, however, Storm-Trooper jokes had become an indispensable
source of dormitory talk, and there was no way for me to undo what I
had done. Besides, the sight of Naoko's smiling face had become my
own special source of pleasure. I went on supplying everyone with
new stories.
Naoko asked me one time - just once - if I had a girl I liked. I
told her
about the one I had left behind in Kobe. "She was nice," I said, "I
enjoyed sleeping with her, and I miss her every now and then, but
finally, she didn't move me. I don't know, sometimes I think I've
got
this hard kernel in my heart, and nothing much can get inside it. I
doubt if I can really love anybody."
"Have you ever been in love?" Naoko asked.
"Never," I said.
She didn't ask me more than that.
When autumn ended and cold winds began tearing through the city,
Naoko would often walk pressed against my arm. I could sense her
breathing through the thick cloth of her duffel coat. She would
entwine her arm with mine, or cram her hand in my pocket, or, when
it was really cold, cling tightly to my arm, shivering. None of this
had
any special meaning. I just kept walking with my hands shoved in my
pockets. Our rubber-soled shoes made hardly any sound on the
pavement, except for the dry crackling when we trod on the broad,
withered sycamore leaves. I felt sorry for Naoko whenever I heard
that
sound. My arm was not the one she needed, but the arm of someone
else. My warmth was not what she needed, but the warmth of
someone else. I felt almost guilty being me.
As the winter deepened, the transparent clarity of Naoko's eyes
seemed to increase. It was a clarity that had nowhere to go.
Sometimes
Naoko would lock her eyes on to mine for no apparent reason. She
seemed to be searching for something, and this would give me a
strange, lonely, helpless sort of feeling.
I wondered if she was trying to convey something to me, something
she could not put into words - something prior to words that she
could
not grasp within herself and which therefore had no hope of ever
turning into words. Instead, she would fiddle with her hairslide,
dab at
the corners of her mouth with a handkerchief, or look into my eyes
in
that meaningless way. I wanted to hold her tight when she did these
things, but I would hesitate and hold back. I was afraid I might
hurt
her. And so the two of us kept walking the streets of Tokyo, Naoko
searching for words in space.
The guys in the dorm would always tease me when I got a call from
Naoko or went out on a Sunday morning. They assumed, naturally
enough, that I had found a girlfriend. There was no way to explain
the
truth to them, and no need to explain it, so I let them think what
they
wanted to. I had to face a barrage of stupid questions in the
evening -
what position had we used? What was she like down there? What
colour underwear had she been wearing that day? I gave them the
answers they wanted.
And so I went from 18 to 19. Each day the sun would rise and set,
the
flag would be raised and lowered. Every Sunday I would have a date
with my dead friend's girl. I had no idea what I was doing or what I
was going to do. For my courses I would read Claudel and Racine and
Eisenstein, but they meant almost nothing to me. I made no friends
at
the lectures, and hardly knew anyone in the dorm. The others in the
dorm thought I wanted to be a writer because I was always alone with
a book, but I had no such ambition. There was nothing I wanted to
be.
I tried to talk about this feeling with Naoko. She, at least, would
be
able to understand what I was feeling with some degree of precision,
I
thought. But I could never find the words to express myself.
Strange, I
seemed to have caught her word-searching sickness.
On Saturday nights I would sit by the phone in the lobby, waiting
for
Naoko to call. Most of the others were out, so the lobby was usually
deserted. I would stare at the grains of light suspended in that
silent
space, struggling to see into my own heart. What did I want? And
what did others want from me? But I could never find the answers.
Sometimes I would reach out and try to grasp the grains of light,
but
my fingers touched nothing.
I read a lot, but not a lot of different books: I like to read my
favourites again and again. Back then it was Truman Capote, John
Updike, F. Scott Fitzgerald, Raymond Chandler, but I didn't see
anyone else in my lectures or the dorm reading writers like that.
They
liked Kazumi Takahashi, Kenzaburo Oe, Yukio Mishima, or
contemporary French novelists, which was another reason I didn't
have much to say to anybody but kept to myself and my books. With
my eyes closed, I would touch a familiar book and draw its fragrance
deep inside me. This was enough to make me happy.
At 18 my favourite book was John Updike's The Centaur, but after I
had read it a number of times, it began to lose some of its initial
lustre
and yielded first place to The Great Gatsby. Gatsby stayed in first
place for a long time after that. I would pull it off the shelf when
the
mood hit me and read a section at random. It never once disappointed
me. There wasn't a boring page in the whole book. I wanted to tell
people what a wonderful novel it was, but no one around me had read
The Great Gatsby or was likely to. Urging others to read F Scott
Fitzgerald, although not a reactionary act, was not something one
could do in 1968.
When I did finally meet the one person in my world who had read
Gatsby, he and I became friends because of it. His name was
Nagasawa. He was two years older than me, and because he was doing
legal studies at the prestigious Tokyo University, he was on the
fast
track to national leadership. We lived in the same dorm and knew
each other only by sight, until one day when I was reading Gatsby in
a
sunny spot in the dining hall. He sat down next to me and asked what
I
was reading. When I told him, he asked if I was enjoying it. "This
is
my third time," I said, "and every time I find something new that I
like
even more than the last."
"This man says he has read The Great Gatsby three times," he said as
if to himself. "Well, any friend of Gatsby is a friend of mine."
And so we became friends. This happened in October.
The better I got to know Nagasawa, the stranger he seemed. I had met
a lot of weird people in my day, but none as strange as Nagasawa. He
was a far more voracious reader than me, but he made it a rule never
to touch a book by any author who had not been dead at least 30
years.
"That's the only kind of book I can trust," he said.
"It's not that I don't believe in contemporary literature," he
added, "but
I don't want to waste valuable time reading any book that has not
had
the baptism of time. Life is too short."
"What kind of authors do you like?" I asked, speaking in respectful
tones to this man two years my senior.
"Balzac, Dante, Joseph Conrad, Dickens," he answered without
hesitation.
"Not exactly fashionable."
"That's why I read them. If you only read the books that everyone
else
is reading, you can only think what everyone else is thinking.
That's
the world of hicks and slobs. Real people would be ashamed of
themselves doing that. Haven't you noticed, Watanabe? You and I are
the only real ones in this dorm. The other guys are crap."
This took me off guard. "How can you say that?"
"'Cause it's true. I know. I can see it. It's like we have marks on
our
foreheads. And besides, we've both read The Great Gatsby."
I did some quick calculating. "But Fitzgerald's only been dead 28
years," I said.
"So what? Two years? Fitzgerald's advanced."
No one else in the dorm knew that Nagasawa was a secret reader of
classic novels, nor would it have mattered if they had. Nagasawa was
known for being smart. He breezed into Tokyo University, he got
good marks, he would take the Civil Service Exam, join the Foreign
Ministry, and become a diplomat. He came from a wealthy family. His
father owned a big hospital in Nagoya, and his brother had also
graduated from Tokyo, gone on to medical school, and would one day
inherit the hospital. Nagasawa always had plenty of money in his
pocket, and he carried himself with real dignity. People treated him
with respect, even the dorm Head. When he asked someone to do
something, the person would do it without protest. There was no
choice in the matter.
Nagasawa had a certain inborn quality that drew people to him and
made them follow him. He knew how to stand at the head of the pack,
to assess the situation, to give precise and tactful instructions
that
others would obey. Above his head hung an aura that revealed his
powers like an angel's halo, the mere sight of which would inspire
awe
in people for this superior being. Which is why it shocked everyone
that Nagasawa chose me, a person with no distinctive qualities, to
be
his special friend. People I hardly knew treated me with a certain
respect because of it, but what they did not seem to realize was
that
the reason for my having been chosen was a simple one, namely that I
treated Nagasawa with none of the adulation he received from other
people. I had a definite interest in the strange, complex aspects of
his
nature, but none of those other things - his good marks, his aura,
his
looks - impressed me. This must have been something new for him.
There were sides to Nagasawa's personality that conflicted in the
extreme. Even I would be moved by his kindness at times, but he
could just as well be malicious and cruel. He was both a spirit of
amazing loftiness and an irredeemable man of the gutter. He could
charge forward, the optimistic leader, even as his heart writhed in
a
swamp of loneliness. I saw these paradoxical qualities of his from
the
start, and I could never understand why they weren't just as obvious
to
everyone else. He lived in his own special hell.
Still, I think I always managed to view him in the most favourable
light. His greatest virtue was his honesty. Not only would he never
lie,
he would always acknowledge his shortcomings. He never tried to
hide things that might embarrass him. And where I was concerned, he
was unfailingly kind and supportive. Had he not been, my life in the
dorm would have been far more unpleasant than it was. Still, I never
once opened my heart to him, and in that sense my relationship with
Nagasawa stood in stark contrast to me and Kizuki. The first time I
saw Nagasawa drunk and tormenting a girl, I promised myself never,
under any circumstances, to open myself up to him.
There were several "Nagasawa Legends" that circulated throughout
the dorm. According to one, he supposedly once ate three slugs.
Another gave him a huge penis and had him sleeping with more than
100 girls.
The slug story was true. He told me so himself. "Three big mothers,"
he said. "Swallowed 'em whole."
"What the hell for?"
"Well, it happened the first year I came to live here," he said.
"There
was some shit between the first-years and the third-years. Started
in
April and finally came to a head in September. As first -year
representative I went to work things out with the third-years. Real
right-wing arseholes. They had these wooden kendo swords, and
"working things out' was probably the last thing they wanted to do.
So
I said, 'All right, let's put an end to this. Do what you want to
me, but
leave the other guys alone.' So they said, "OK, let's see you
swallow a
couple of slugs.' "Fine,' I said, "Let's have 'em.' The bastards
went out
and got three huge slugs. And I swallowed 'em."
"What was it like?"
"What was it like?' You have to swallow one yourself. The way it
slides down your throat and into your stomach ... it's cold, and it
leaves this disgusting aftertaste ... yuck, I get chills just
thinking about
it. I wanted to puke but I fought it.
I mean, if I had puked 'em up, I would have had to swallow
'em all over again. So I kept 'em down. All three of 'em."
"Then what happened?"
"I went back to my room and drank a bucket of salt water.
What else could I do?"
"Yeah, I guess so."
"But after that, nobody could say a thing to me. Not even
the third-years. I'm the only guy in this place who can swallow
three
slugs."
"I bet you are."
Finding out about his penis size was easy enough. I just went to the
dorm's communal shower with him. He had a big one, all right. But
100 girls was probably an exaggeration. "Maybe 75," he said. "I
can't
remember them all, but I'm sure it's at least 70." When I told him I
had
slept with only one, he said, "Oh, we can fix that, easy. Come with
me
next time. I'll get you one easy as that."
I didn't believe him, but he turned out to be right. It was easy.
Almost
too easy, with all the excitement of flat beer. We went to some kind
of
bar in Shibuya or Shinjuku (he had his favourites), found a pair of
girls (the world was full of pairs of girls), talked to them, drank,
went
to a hotel, and had sex with them. He was a great talker. Not that
he
had anything great to say, but girls would get carried away
listening to
him, they'd drink too much and end up sleeping with him. I guess
they
enjoyed being with somebody so nice and handsome and clever. And
the most amazing thing was that, just because I was with him, I
seemed to become equally fascinating to them. Nagasawa would urge
me to talk, and girls would respond to me with the same smiles of
admiration they offered him. He worked his magic, a real talent he
had
that impressed me every time. Compared with Nagasawa, Kizuki's
conversational gifts were child's play. This was a completely
different
level of accomplishment. As much as I found myself caught up in
Nagasawa's power, though, I still missed Kizuki. I felt a new
admiration for his sincerity. Whatever talents he had he would share
with Naoko and me alone, while Nagasawa was bent on disseminating
his considerable gifts to all around him. Not that he was dying to
sleep
with the girls he found: it was just a game to him.
I was not too crazy about sleeping with girls I didn't know. It was
an
easy way to take care of my sex drive of course, and I did enjoy all
the
holding and touching, but I hated the morning after. I'd wake up and
find this strange girl sleeping next to me, and the room would reek
of
alcohol, and the bed and the lighting and the curtains had that
special
"love hotel" garishness, and my head would be in a hungover fog.
Then the girl would wake up and start groping around for her
knickers
and while she was putting on her stockings she'd say something like,
"I hope you used one last night. It's the worst day of the month for
me." Then she'd sit in front of a mirror and start grumbling about
her
aching head or her uncooperative make-up while she redid her
lipstick
or attached her false eyelashes. I would have preferred not to spend
the whole night with them, but you can't worry about a midnight
curfew while you're seducing women (which runs counter to the laws
of physics anyway), so I'd go out with an overnight pass. This meant
I
had to stay put until morning and go back to the dorm filled with
self-
loathing and disillusionment, sunlight stabbing my eyes, mouth
coated
with sand, head belonging to someone else.
When I had slept with three or four girls this way, I asked
Nagasawa,
"After you've done this 70 times, doesn't it begin to seem kind of
pointless?"
"That proves you're a decent human being," he said.
"Congratulations.
There is absolutely nothing to be gained from sleeping with one
strange woman after another. It just tires you out and makes you
disgusted with yourself. It's the same for me."
"So why the hell do you keep it up?"
"Hard to say. Hey, you know that thing Dostoevsky wrote on
gambling? It's like that. When you're surrounded by endless
possibilities, one of the hardest things you can do is pass them up.
See
what I mean?"
"Sort of."
"Look. The sun goes down. The girls come out and drink. They
wander around, looking for something. I can give them that
something. It's the easiest thing in the world, like drinking water
from
a tap. Before you know it, I've got 'em down. It's what they expect.
That's what I mean by possibility. It's all around you. How can you
ignore it? You have a certain ability and the opportunity to use it:
can
you keep your mouth shut and let it pass?"
"I don't know, I've never been in a situation like that," I said
with a
smile. "I can't imagine what it's like."
"Count your blessings," Nagasawa said.
His womanizing was the reason Nagasawa lived in a dorm despite his
affluent background. Worried that Nagasawa would do nothing else if
allowed to live alone in Tokyo, his father had compelled him to live
all four years at university in the dormitory. Not that it mattered
much
to Nagasawa. He was not going to let a few rules bother him.
Whenever he felt like it, he would get an overnight permission and
go
girl-hunting or spend the night at hi s girlfriend's flat. These
permissions were not easy to get, but for him they were like free
passes - and for me, too, as long as he did the asking.
Nagasawa did have a steady girlfriend, one he'd been going out with
since his first year. Her name was Hatsumi, and she was the same age
as Nagasawa. I had met her a few times and found her to be very
nice.
She didn't have the kind of looks that immediately attracted
attention,
and in fact she was so ordinary that when I first met her I had to
wonder why Nagasawa couldn't do better, but anyone who talked to
her took an immediate liking to her. Quiet, intelligent, funny,
caring,
she always dressed with immaculate good taste. I liked her a lot and
knew that if I could have a girlfriend like Hatsumi, I wouldn't be
sleeping around with a bunch of easy marks. She liked me, too, and
tried hard to fix me up with a first-year in her club so we could
double-date, but I would make up excuses to keep from repeating past
mistakes. Hatsumi went to the absolute top girls' coll ege in the
country, and there was no way I was going to be able to talk to one
of
those super-rich princesses.
Hatsumi had a pretty good idea that Nagasawa was sleeping around,
but she never complained to him. She was seriously in love, but she
never made demands.
"I don't deserve a girl like Hatsumi," Nagasawa once said to me. I
had
to agree with him.
That winter I found a part-time job in a little record shop in
Shinjuku.
It didn't pay much, but the work was easy- just watching the place
three nights a week - and they let me buy records cheap. For
Christmas I bought Naoko a Henry Mancini album with a track of her
favourite "Dear Heart". I wrapped it myself and added a bright red
ribbon. She gave me a pair of woollen gloves she had knitted. The
thumbs were a little short, but they did keep my hands warm.
"Oh, I'm sorry," she said, blushing, "What a bad job!"
"Don't worry, they fit fine," I said, holding my gloved hands out to
her.
"Well, at least you won't have to shove your hands in your pockets,
I
guess."
Naoko didn't go home to Kobe for the winter break. I stayed in
Tokyo,
too, working in the record shop right up to the end of the year. I
didn't
have anything especially fun to do in Kobe or anyone I wanted to
see.
The dorm's dining hall was closed for the holiday, so I went to
Naoko's flat for meals. On New Year's Eve we had rice cakes and
soup like everybody else.
A lot happened in late January and February that year, 1969.
At the end of January, Storm Trooper went to bed with a raging
fever.
Which meant I had to stand up Naoko that day. I had gone to a lot of
trouble to get my hands on some free tickets for a concert. She had
been especially eager to go because the orchestra was performing one
of her favourites: Brahms' Fourth Symphony. But with Storm Trooper
tossing around in bed on the verge of what looked like an agonizing
death, I couldn't just leave him, and I couldn't find anyone stupid
enough to nurse him in my place. I bought some ice and used several
layers of plastic bags to hold it on his forehead, wiped his
sweating
brow with cold towels, took his temperature every hour, and even
changed his vest for him. The fever stayed high for a day, but the
following morning he jumped out of bed and started exercising as
though nothing had happened. His temperature was completely
normal. It was hard to believe he was a human being.
"Weird," said Storm Trooper. "I've never run a fever in my life." It
was almost as if he were blaming me.
This made me mad. "But you did have a fever," I insisted, showing
him the two wasted tickets.
"Good thing they were free," he said. I wanted to grab his radio and
throw it out of the window, but instead I went back to bed with a
headache.
It snowed several times in February.
Near the end of the month I got into a stupid fight with one of the
third-years on my floor and punched him. He hit his head against the
concrete wall, but he wasn't badly injured, and Nagasawa
straightened
things out for me. Still, I was called into the dorm Head's office
and
given a warning, after which I grew increasingly uncomfortable
living
in the dormitory.
The academic year ended in March, but I came up a few credits short.
My exam results were mediocre - mostly "C"s and "D"s with a few
"B"s. Naoko had all the grades she needed to begin the spring term
of
her second year. We had completed one full cycle of the seasons.
Halfway through April Naoko turned 20. She was seven months older
than I was, my own birthday being in November. There was
something strange about her becoming 20. I. felt as if the only
thing
that made sense, whether for Naoko or for me, was to keep going back
and forth between 18 and 19. After 18 would come 19, and after 19,
18, of course. But she turned 20. And in the autumn, I would do the
same. Only the dead stay 17 for ever.
It rained on her birthday. After lectures I bought a cake nearby and
took the tram to her flat. "We ought to have a celebration," I said.
I
probably would have wanted the same thing if our positions had been
reversed. It must be hard to pass your twentieth birthday alone. The
tram had been packed and had pitched so wildly that by the time I
arrived at Naoko's room the cake was looking more like the Roman
Colosseum than anything else. Still, once I had managed to stand up
the 20 candles I had brought along, light them, close the curtains
and
turn out the lights, we had the makings of a birthday party. Naoko
opened a bottle of wine. We drank, had some cake, and enjoyed a
simple dinner.
"I don't know, it's stupid being 20," she said. "I'm just not ready.
It
feels weird. Like somebody's pushing me from behind."
"I've got seven months to get ready," I said with a laugh.
"You're so lucky! Still 19!" said Naoko with a hint of envy.
While we ate I told her about Storm Trooper's new jumper. Until then
he had had only one, a navy-blue pullover, so two was a big move for
him. The jumper itself was a nice one, red and black with a knitted
deer motif, but on him it made everybody laugh. He couldn't work out
what was going on.
"W what's so funny, Watanabe?" he asked, sitting next to me in the
dining hall. "Is something stuck to my forehead?"
"Nothing," I said, trying to keep a straight face. "There's nothing
funny. Nice jumper."
"Thanks," he said, beaming.
Naoko loved the story. "I have to meet him," she said. "Just once."
"No way," I said. "You'd laugh in his face." "You think so?"
"I'd bet on it. I see him every day, and still I can't help laughing
sometimes."
We cleared the table and sat on the floor, listening to music and
drinking the rest of the wine. She drank two glasses in the time it
took
me to finish one.
Naoko was unusually talkative that night. She told me about her
childhood, her school, her family. Each episode was a long one,
executed with the painstaking detail of a miniature. I was amazed at
the power of her memory, but as I sat listening it began to dawn on
me
that there was something wrong with the way she was telling these
stories: something strange, warped even. Each tale had its own
internal logic, but the link from one to the next was odd. Before
you
knew it, story A had turned into story B, which had been contained
in
A, and then came C from something in B, with no end in sight. I
found
things to say in response at first, but after a while I stopped
trying. I
put on a record, and when it ended I lifted the needle and put on
another. After the last record I went back to the first. She only
had six.
The cycle started with Sgt. Pepper's Lonely Hearts Club Band and
ended with Bill Evans' Waltz for Debbie. Rain fell past the window.
Time moved slowly. Naoko went on talking by herself.
It eventually dawned on me what was wrong: Naoko was taking great
care as she spoke not to touch on certain things. One of those
things
was Kizuki, of course, but there was more than Kizuki. And though
she had certain subjects she was determined to avoid, she went on
endlessly and in incredible detail about the most trivial, inane
things. I
had never heard her speak with such intensity before, and so I did
not
interrupt her.
Once the clock struck eleven, though, I began to feel nervous. She
had
been talking non-stop for more than four hours. I had to worry about
the last train, and my midnight curfew. I saw my chance and cut in.
"Time for the troops to go home," I said, looking at my watch. "Last
train's coming."
My words did not seem to reach her. Or, if they did, she was unable
to
grasp their meaning. She clamped her mouth shut for a split second,
then went on with her story. I gave up and, shifting to a more
comfortable position, drank what was left of the second bottle of
wine.
I thought I had better let her talk herself out. The curfew and the
last
train would have to take care of themselves.
She did not go on for long, though. Before I knew it, she had
stopped
talking. The ragged end of the last word she spoke seemed to float
in
the air, where it had been torn off. She had not actually finished
what
she was saying. Her words had simply evaporated. She had been
trying to go on, but had come up against nothing. Something was gone
now, and I was probably the one who had destroyed it.My words
might have finally reached her, taken their time to be understood,
and
obliterated whatever energy it was that had kept her talking so
long.
Lips slightly parted, she turned her half focused eyes on mine. She
looked like some kind of machine that had been humming along until
someone pulled the plug. Her eyes appeared clouded, as if covered by
some thin, translucent membrane.
"Sorry to interrupt," I said, "but it's getting late, and ..."
One big tear spilled from her eye, ran down her cheek and splattered
onto a record jacket. Once that first tear broke free, the rest
followed
in an unbroken stream. Naoko bent forwards on all fours on the floor
and, pressing her palms to the mat, began to cry with the force of a
person vomiting. Never in my life had I seen anyone cry with such
intensity. I reached out and placed a hand on her trembling
shoulder.
Then, all but instinctively, I took her in my arms. Pressed against
me,
her whole body trembling, she continued to cry without a sound. My
shirt became damp - then soaked - with her tears and hot breath.
Soon
her fingers began to move across my back as if in search of
something, some important thing that had always been there.
Supporting her weight with my left arm, I used my right hand to
caress her soft, straight hair. And I waited. In that position, I
waited
for Naoko to stop crying. And I went on waiting. But Naoko's crying
never stopped.
I slept with Naoko that night. Was it the right thing to do? I can't
tell.
Even now, almost 20 years later, I can't be sure. I suppose I'll
never
know. But at the time, it was all I could do. She was in a
heightened
state of tension and confusion, and she made it clear she wanted me
to
give her release. I turned the lights down and began, one piece at a
time, with the gentlest touch I could manage, to remove her clothes.
Then I undressed. It was warm enough, that rainy April night, for us
to
cling to each other's nakedness without a sense of chill. We
explored
each other's bodies in the darkness without words. I kissed her and
held her soft breasts in my hands. She clutched at my erection. Her
opening was warm and wet and asking for me.
And yet, when I went inside her, Naoko tensed with pain. Was this
her
first time? I asked, and she nodded. Now it was my turn to be
confused. I had assumed that Naoko had been sleeping with Kizuki all
that time. I went in as far as I could and stayed that way for a
long
time, holding Naoko, without moving. And then, as she began to seem
calmer, I allowed myself to move inside her, taking a longtime to
come to climax, with slow, gentle movements. Her arms tightened
around me at the end, when at last she broke her silence. Her cry
was
the saddest sound of orgasm I had ever heard.
When everything had ended, I asked Naoko why she had never slept
with Kizuki. This was a mistake. No sooner had I asked the question
than she took her arms from me and started crying soundlessly again.
I
pulled her bedding from the closet, spread it on the mat floor, and
put
her in beneath the covers. Smoking, I watched the endless April rain
beyond the window.
The rain had stopped when morning came. Naoko was sleeping with
her back to me. Or maybe she hadn't slept at all. Whether she was
awake or asleep, all words had left her lips, and her body now
seemed
stiff, almost frozen. I tried several times to talk to her, but she
would
not answer or move. I stared for a long time at her naked shoulder,
but
in the end I lost all hope of eliciting a response and decided to
get up.
The floor was still littered with record jackets, glasses, wine
bottles
and the ashtray I had been using. Half the caved-in birthday cake
remained on the table. It was as if time had come to a halt. I
picked up
the things off the floor and drank two glasses of water at the sink.
On
Naoko's desk lay a dictionary and a French verb chart. On the wall
above the desk hung a calendar, one without an illustration or photo
of
any kind, just the numbers of the days of the month. There were no
memos or marks written next to any of the dates.
I picked up my clothes and dressed. The chest of my shirt was still
damp and chilly. It had Naoko's smell. On the notepad lying on the
desk I wrote: I'd like to have a good long talk with you once you've
calmed down. Please call me soon. Happy
Birthday. I took one last look at Naoko's shoulder, stepped outside
and
quietly shut the door.
No call came even after a week had passed. Naoko's house had no
system for calling people to the phone, and so on Sunday morning I
took the train out to Kokubunji. She wasn't there, and her name had
been removed from the door. The windows and storm shutters were
closed tight. The manager told me that Naoko had moved out three
days earlier. He had no idea where she had moved to.
I went back to the dorm and wrote Naoko a long letter addressed to
her home in Kobe. Wherever she was, they would forward it to her at
least.
I gave her an honest account of my feelings. There was a lot I still
didn't understand, I said, and though I was trying hard to
understand, it
would take time. Where I would be once that time had gone by, it was
impossible for me to say now, which is why it was impossible for me
to make promises or demands, or to set down pretty words. For one
thing, we knew too little of each other. If, however, she would
grant
me the time, I would give it my best effort, and the two of us would
come to know each other better. In any case, I wanted to see her
again
and have a good long talk. When I lost Kizuki, I lost the one person
to
whom I could speak honestly of my feelings, and I imagined it had
been the same for Naoko. She and I had needed each other more than
either of us knew. Which was no doubt why our relationship had taken
such a major detour and become, in a sense, warped. I probably
should not have done what I did, and yet I believe that it was all I
could do. The warmth and closeness I felt for you at that moment was
something I have never experienced before. I need you to answer this
letter. Whatever that answer may be, I need to have it.
No answer came.
Something inside me had dropped away, and nothing came in to fill
the empty cavern. There was an abnormal lightness to my body, and
sounds had a hollow echo to them. I went to lectures more faithfully
than ever. They were boring, and I never talked to my fellow
students,
but I had nothing else to do. I would sit by myself in the very
front
row of the lecture hall, speak to no one and eat alone. I stopped
smoking.
The student strike started at the end of May. "Dismantle the
University!" they all screamed. Go ahead, do it, I thought.
Dismantle
it. Tear it apart. Crush it to bits. I don't give a damn. It would
be a
breath of fresh air. I'm ready for anything. I'll help if necessary.
Just
go ahead and do it.
With the campus blockaded and lectures suspended, I started to work
at a delivery company. Sitting with the driver, loading and
unloading
lorries, that kind of stuff. It was tougher than I thought. At first
I could
hardly get out of bed in the morning with the pain. The pay was
good,
though, and as long as I kept my body moving I could forget about
the
emptiness inside. I worked on the lorries five days a week, and
three
nights a week I continued my job at the record shop. Nights without
work I spent with whisky and books. Storm Trooper wouldn't touch
whisky and couldn't stand the smell, so when I was sprawled on my
bed drinking it straight, he'd complain that the fumes made it
impossible for him to study and ask me to take my bottle outside.
"You get the hell out," I growled.
"But you know drinking in the dorm is a-a-against the rules."
"I don't give a shit. You get out."
He stopped complaining, but now I was annoyed. I went to the roof
and drank alone.
In June I wrote Naoko another long letter, addressing it again to
her
house in Kobe. It said pretty much the same thing as the first one,
but
at the end I added: Waiting for your
answer is one of the most painful things I have ever been through.
At
least let me know whether or not I hurt you. When I posted it,
I felt as if the cavern inside me had grown again.
That June I went out with Nagasawa twice again to sleep with girls.
It
was easy both times. The first girl put up a terrific struggle when
I
tried to get her undressed and into the hotel bed, but when I began
reading alone because it just wasn't worth it, she came over and
started
nuzzling me. And after I had done it with the second one, she
started
asking me all kinds of personal questions - how many girls had I
slept
with? Where was I from? Which university did I go to? What kind of
music did I like? Had I ever read any novels by Osamu Dazai? Where
would I like to go if I could travel abroad? Did I think her nipples
were too big? I made up some answers and went to sleep, but next
morning she said she wanted to have breakfast with me, and she kept
up the stream of questions
over the tasteless eggs and toast and coffee. What kind of work did
my
father do? Did I get good marks at school? What month was I born?
Had I ever eaten frogs? She was giving me a headache, so as soon as
we had finished eating I said I had to go to work.
"Will I ever see you again?" she asked with a sad look.
"Oh, I'm sure we'll meet again somewhere before long," I said, and
left. What the hell am I doing? I started wondering as soon as I was
alone, feeling disgusted with myself. And yet it was all I could do.
My
body was hungering for women. All the time I was sleeping with
those girls I thought about Naoko: the white shape of her naked body
in the darkness, her sighs, the sound of the rain. The more I
thought
about these things, the hungrier my body grew. I went up to the roof
with my whisky and asked myself where I thought I was heading.
Finally, at the beginning of July, a letter came from Naoko. A short
letter.
Please forgive me for not answering sooner. But try to understand.
It
took me a very long time before I was in any condition to write, and
I
have started this letter at least ten times. Writing is a painful
process
for me.
Let me begin with my conclusion. I have decided to take a year off
from college. Officially, it's a leave of absence, but I suspect
that I will
never be going back. This will no doubt come as a surprise to you,
but
in fact I had been thinking about doing this for a very long time. I
tried
a few times to mention it to you, but I was never able to make
myself
begin. I was afraid even to pronounce the words.
Try not to get so worked up about things. Whatever happened- or
didn't happen - the end result would have been the same. This may
not
be the best way to put it, and I'm sorry if it hurts you. What I am
trying to tell you is, I don't want you to blame yourself for what
happened with me. It is something I have to take on all by myself. I
had been putting it off for more than a year, and so I ended up
making
things very difficult for you. There is probably no way to put it
off any
longer.
After I moved out of my flat, I came back to my family's house in
Kobe and was seeing a doctor for a while. He tells me there is a
place
in the hills outside Kyoto that would be perfect for me, and I'm
thinking of spending a little time there. It's not exactly a
hospital, more
a sanatorium kind of thing with a far freer style of treatment. I'll
leave
the details for another letter. What I need now is to rest my nerves
in a
quiet place cut off from the world.
I feel grateful in my own way for the year of companionship you gave
me. Please believe that much even if you believe nothing else. You
are
not the one who hurt me. I myself am the one who did that. This is
truly how I feel.
For now, however, I am not prepared to see you. It's not that I
don't
want to see you: I'm simply not prepared for it. The moment I feel
ready, I will write to you. Perhaps then we can get to know each
other
better. As you say, this is probably what we should do: get to know
each other better.
Goodbye.
I read Naoko's letter again and again, and each time I would be
filled
with that same unbearable sadness I used to feel whenever Naoko
herself stared into my eyes. I had no way to deal with it, no place
I
could take it to or hide it away. Like the wind passing over my
body,
it had neither shape nor weight nor could I wrap myself in it.
Objects
in the scene would drift past me, but the words they spoke never
reached my ears.
I continued to spend my Saturday nights sitting in the hall. There
was
no hope of a phone call, but I didn't know what else to do with the
time. I would switch on a baseball game and pretend to watch it as I
cut the empty space between me and the television set in two, then
cut
each half in two again, over and over, until I had fashioned a space
small enough to hold in my hand.
I would switch the set off at ten, go back to my room, and go to
sleep.
At the end of the month, Storm Trooper gave me a firefly. It was in
an
instant coffee jar with air holes in the lid and containing some
blades
of grass and a little water. In the bright room the firefly looked
like
some kind of ordinary black insect you'd find by a pond somewhere,
but Storm Trooper insisted it was the real thing. "I know a firefly
when I see one," he said, and I had no reason or basis to disbelieve
him.
"Fine," I said. "It's a firefly." It had a sleepy look on its face,
but it
kept trying to climb up the slippery glass walls of the jar and
falling
back.
"I found it in the quad," he said.
"Here? By the dorm?"
"Yeah. You know the hotel down the street? They release fireflies in
their garden for summer guests. This one made it over here."
Storm Trooper was busy stuffing clothes and notebooks into his black
Boston bag as he spoke.
We were several weeks into the summer holidays, and he and I were
almost the only ones left in the dorm. I had carried on with my jobs
rather than go back to Kobe, and he had stayed on for a practical
training session. Now that the training had ended, he was going back
to the mountains of Yamanashi.
"You could give this to your girlfriend," he said. "I'm sure she'd
love
it."
"Thanks," I said.
After dark the dorm was hushed, like a ruin. The flag had been
lowered and the lights glowed in the windows of the dining hall.
With
so few students left, they turned on only half the lights in the
place,
keeping the right half dark and the left lighted. Still, the smell
of
dinner drifted up to me - some kind of cream stew.
I took my bottled firefly to the roof. No one else was up there. A
white
vest hung on a clothesline that someone had forgotten to take in,
waving in the evening breeze like the discarded shell of some huge
insect. I climbed a steel ladder in the corner of the roof to the
top of
the dormitory's water tank. The tank was still warm with the heat of
the sunlight it had absorbed during the day. I sat in the narrow
space
above the tank, leaning against the handrail and coming face-to-face
with an almost full white moon. The lights of Shinjuku glowed to the
right, Ikebukuro to the left. Car headlights flowed in brilliant
streams
from one pool of light to the other. A dull roar of jumbled sounds
hung over the city like a cloud.
The firefly made a faint glow in the bottom of the jar, its light
all too
weak, its colour all too pale. I hadn't seen a firefly in years, but
the
ones in my memory sent a far more intense light into the summer
darkness, and that brilliant, burning image was the one that had
stayed
with me all that time.
Maybe this firefly was on the verge of death. I gave the jar a few
shakes. The firefly bumped against the glass walls and tried to fly,
but
its light remained dim.
I tried to remember when I had last seen fireflies, and where it
might
have been. I could see the scene in my mind, but was unable to
recall
the time or place. I could hear the sound of water in the darkness
and
see an old-fashioned brick sluice gate. It had a handle you could
turn
to open and close the gate. The stream it controlled was small
enough
to be hidden by the grass on its banks. The night was dark, so dark
I
couldn't see my feet when I turned out my torch. Hundreds of
fireflies
drifted over the pool of water held back by the sluice gate, their
hot
glow reflected in the water like a shower of sparks.
I closed my eyes and steeped myself in that long-ago darkness. I
heard
the wind with unusual clarity. A light breeze swept past me, leaving
strangely brilliant trails in the dark. I opened my eyes to find the
darkness of the summer night a few degrees deeper than it had been.
I twisted open the lid of the jar and took out the firefly, setting
it on
the two-inch lip of the water tank. It seemed not to grasp its new
surroundings. It hobbled around the head of a steel bolt, catching
its
legs on curling scabs of paint. It moved to the right until it found
its
way blocked, then circled back to the left. Finally, with some
effort, it
mounted the head of the bolt and crouched there for a while,
unmoving, as if it had taken its last breath.
Still leaning against the handrail, I studied the firefly. Neither I
nor it
made a move for a very long time. The wind continued sweeping past
the two of us while the numberless leaves of the zelkova tree
rustled
in the darkness.
I waited for ever.
Only much later did the firefly take to the air. As if some thought
had
suddenly occurred to it, the firefly spread its wings, and in a
moment
it had flown past the handrail to float in the pale darkness. It
traced a
swift arc by the side of the water tank as though trying to bring
back a
lost interval in time. And then, after hovering there for a few
seconds
as if to watch its curved line of light blend into the wind, it
finally
flew off to the east.
Long after the firefly had disappeared, the trail of its light
remained
inside me, its pale, faint glow hovering on and on in the thick
darkness
behind my eyelids like a lost soul.
More than once I tried stretching my hand out in the dark. My
fingers
touched nothing. The faint glow remained, just beyond my grasp.